Dance-writing and dramaturgy. Experiences of a workshop

This text is part of the doctoral work "Research-action: dance-writing as a possibility of self-enunciation". For the practical part of the research, the Dance and writing workshop was given as a laboratory. What is presented in this article is a part of the analysis of what happened durin...

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Hovedforfatter: Ruiz Mondragón, Laura
Format: Online
Sprog:spa
Udgivet: UNIVERSIDAD DE SONORA 2021
Online adgang:https://arteentreparentesis.unison.mx/index.php/AEP/article/view/80
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spelling oai:https:--arteentreparentesis.unison.mx:article-802021-08-10T22:28:54Z Dance-writing and dramaturgy. Experiences of a workshop Danza-escritura y dramaturgia. Experiencias de un taller Ruiz Mondragón, Laura Danza Escritura creativa Dramaturgia Dance Creative writing Dramaturgy This text is part of the doctoral work "Research-action: dance-writing as a possibility of self-enunciation". For the practical part of the research, the Dance and writing workshop was given as a laboratory. What is presented in this article is a part of the analysis of what happened during the workshop. It delves into the operation of dramaturgy in the design of the sessions, in the organization of the individual and collective texts and dances that occurred during the laboratory, as well as in the assembly of the materials for presentation to an audience. Dramaturgy is the articulating tool to study the creative process in which each participant found a space for their own enunciation and the resonances that this had in the group. To address the analysis, the approaches of André Lepecki on dramaturgy and those of Laurence Louppe on score are taken as a starting point. El presente texto forma parte del trabajo doctoral “Investigación-acción: la danza-escritura como posibilidad de auto-enuncación”. Para la parte práctica de la investigación se impartió el Taller de danza y escritura a manera de laboratorio. Lo que se presenta en este artículo es una parte del análisis de lo acontecido durante el taller. Se profundiza sobre el funcionamiento de la dramaturgia en el diseño de las sesiones, en la organización de los textos y danzas individuales y colectivos que se produjeron durante el laboratorio, así como en el ensamblaje de los materiales para su presentación ante un público. La dramaturgia es la herramienta articuladora para estudiar el proceso creativo en el que cada participante encontró un espacio para su propia enunciación y las resonancias que tuvo esta en el colectivo. Para abordar el análisis, se toman como punto de partida los planteamientos de André Lepecki sobre dramaturgia y los de Laurence Louppe sobre partitura.      Abstract This text is part of the doctoral work "Research-action: dance-writing as a possibility of self-enunciation". For the practical part of the research, the Dance and writing workshop was given as a laboratory. What is presented in this article is a part of the analysis of what happened during the workshop. It delves into the operation of dramaturgy in the design of the sessions, in the organization of the individual and collective texts and dances that occurred during the laboratory, as well as in the assembly of the materials for presentation to an audience. Dramaturgy is the articulating tool to study the creative process in which each participant found a space for their own enunciation and the resonances that this had in the group. To address the analysis, the approaches of André Lepecki on dramaturgy and those of Laurence Louppe on score are taken as a starting point. UNIVERSIDAD DE SONORA 2021-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://arteentreparentesis.unison.mx/index.php/AEP/article/view/80 10.36797/aep.v1i12.80 Arte, entre paréntesis; Vol. 1 Núm. 12 (2021): Arte, entre paréntesis (enero-julio 2021); 6-19 2448-5950 spa https://arteentreparentesis.unison.mx/index.php/AEP/article/view/80/78 Derechos de autor 2021 https://creativecommons.org/licenses/by-nc-nd/4.0
institution Arte, entre paréntesis
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language spa
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author Ruiz Mondragón, Laura
spellingShingle Ruiz Mondragón, Laura
Dance-writing and dramaturgy. Experiences of a workshop
author_facet Ruiz Mondragón, Laura
author_sort Ruiz Mondragón, Laura
title Dance-writing and dramaturgy. Experiences of a workshop
title_short Dance-writing and dramaturgy. Experiences of a workshop
title_full Dance-writing and dramaturgy. Experiences of a workshop
title_fullStr Dance-writing and dramaturgy. Experiences of a workshop
title_full_unstemmed Dance-writing and dramaturgy. Experiences of a workshop
title_sort dance-writing and dramaturgy. experiences of a workshop
description This text is part of the doctoral work "Research-action: dance-writing as a possibility of self-enunciation". For the practical part of the research, the Dance and writing workshop was given as a laboratory. What is presented in this article is a part of the analysis of what happened during the workshop. It delves into the operation of dramaturgy in the design of the sessions, in the organization of the individual and collective texts and dances that occurred during the laboratory, as well as in the assembly of the materials for presentation to an audience. Dramaturgy is the articulating tool to study the creative process in which each participant found a space for their own enunciation and the resonances that this had in the group. To address the analysis, the approaches of André Lepecki on dramaturgy and those of Laurence Louppe on score are taken as a starting point.
publisher UNIVERSIDAD DE SONORA
publishDate 2021
url https://arteentreparentesis.unison.mx/index.php/AEP/article/view/80
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