Elpidia García, storyteller of a gore capitalism
This paper approaches the works of the storyteller Elpidia García Delgado by analyzing her recurrent topics: conflicts of the Mexican border context. For this, the theoretical work of Sayak Valencia in his book Gore Capitalism is the mai...
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Universidad de Sonora
2020
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oai:https:--connotas.unison.mx:article-2882021-08-06T23:31:34Z Elpidia García, storyteller of a gore capitalism Elpidia García, cuentista de un capitalismo gore con precedentes Ahuatzín, Angélica literatura fronteriza capitalismo gore sujeto endriago memoria colectiva Elpidia García border literature short story Gore Capitalism Endriago subject collective memory This paper approaches the works of the storyteller Elpidia García Delgado by analyzing her recurrent topics: conflicts of the Mexican border context. For this, the theoretical work of Sayak Valencia in his book Gore Capitalism is the main point of reference used, in order to link the concepts he proposes to the social problems are Elpidia García’s reason for writing in favor of collective memory, combined with a critique of the historical past and present. Likewise, the analysis delves on the Endriago subject raised by Valencia, because its mimetic representation in García Delgado’s fictions is a substantial quality to understand the space from which it this author narrates. El presente artículo brinda un acercamiento a la obra de la cuentista Elpidia García Delgado, mediante un estudio de su temática más recurrente: conflictos propios del contexto mexicano fronterizo. Para ello se toma como referencia principal el trabajo teórico de Sayak Valencia en su libro Capitalismo gore, con el fi n de vincular los conceptos que propone con las problemáticas sociales que en Elpidia García son motivo de una escritura a favor de la memoria colectiva y aunada a una crítica del pasado y el presente históricos. Asimismo, se profundiza en el análisis del sujeto endriago planteado por Valencia, pues su representación mimética en las ficciones de García Delgado es una cualidad sustancial para comprender el espacio desde el que se narra. Universidad de Sonora 2020-01-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://connotas.unison.mx/index.php/critlit/article/view/288 10.36798/critlit.vi19.288 Connotas. Revista de crítica y teoría literarias; No. 19 (2019): Connotas. Revista de crítica y teoría literarias; 33-51 Connotas. Revista de crítica y teoría literarias; Núm. 19 (2019): Connotas. Revista de crítica y teoría literarias; 33-51 2448-6019 1870-6630 10.36798/critlit.vi19 spa https://connotas.unison.mx/index.php/critlit/article/view/288/254 |
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language |
spa |
format |
Online |
author |
Ahuatzín, Angélica |
spellingShingle |
Ahuatzín, Angélica Elpidia García, storyteller of a gore capitalism |
author_facet |
Ahuatzín, Angélica |
author_sort |
Ahuatzín, Angélica |
title |
Elpidia García, storyteller of a gore capitalism |
title_short |
Elpidia García, storyteller of a gore capitalism |
title_full |
Elpidia García, storyteller of a gore capitalism |
title_fullStr |
Elpidia García, storyteller of a gore capitalism |
title_full_unstemmed |
Elpidia García, storyteller of a gore capitalism |
title_sort |
elpidia garcía, storyteller of a gore capitalism |
description |
This paper approaches the works of the storyteller Elpidia García Delgado by analyzing her recurrent topics: conflicts of the Mexican border context. For this, the theoretical work of Sayak Valencia in his book Gore Capitalism is the main point of reference used, in order to link the concepts he proposes to the social problems are Elpidia García’s reason for writing in favor of collective memory, combined with a critique of the historical past and present. Likewise, the analysis delves on the Endriago subject raised by Valencia, because its mimetic representation in García Delgado’s fictions is a substantial quality to understand the space from which it this author narrates. |
publisher |
Universidad de Sonora |
publishDate |
2020 |
url |
https://connotas.unison.mx/index.php/critlit/article/view/288 |
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